From fluorescent to LED, we have always been close to cinematographers needs.

Softlights’s basic philosophy is to develop products in close collaboration with the film and TV industry professionals. Softlights is known for its tailor-made solutions, often dedicated to a special film or a complex TV-show. This has given Softlights a close relationship with the creative people – and their needs.

Our adventure has led us to evolve between cinema, art and architecture.

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A conference by Henrik explaining the difference between CLASSIC LED and ULTRA LED wich emits a little U.V.

We have taken the time to find the best LED, the best drivers and the best colorimetry while keeping an eye on the value for money. We propose a high quality products from the single LED ribbon to install yourself to the fully build projector including driver, dimmer and transformer.
Our range of reliable products, LED SOFTLIGHTS ULTRA (production and distribution Softlights) , with excellent CRI, flickerfree and at the best market price, achieve a CRI of 98 and a possibility of flawless blend with other sources (daylight, HMI, incandescent etc…) which was previously problematic.
We made a point in producing the famous Softlights Fluo Doigt de Fée device in its LED bicolor version.

VALERIAN 2
 
SOFTLIGHTS on demand
Softlights’s basic philosophy is to develop products in close collaboration with the film and TV industry professionals. Softlights is known for its tailor-made solutions, often dedicated to a special film or a complex TV-show. This has given Softlights a close relationship with the creative people – and their needs.
 

X- Costa-Patrick

 
At Softlights we started with fluorescent lighting. We cared about excellent quality in phosphors, ballasts and design. We were happy to introduce since 1996 the T5 fluo projectors for cinematography and creative imagery.
 
 
PIERRE