FLAME “The Emigrant light”

John Christian Rosenlund, norwegian cinematographer, talks about his experience with the new Softlights’s LED product « FLAME » :“Director Erik Poppe and I have planned to shoot every scene in pure natural light. Our goal is to try and give the project a strong naturalistic and authentic look. The film takes place…

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HUMAN – UNVEIL HUMAN WITH SOFTLIGHTS

  ACCLAIMED PHOTOGRAPHER, FILMMAKER AND GLOBAL STORYTELLER YANN ARTHUS-BERTRAND TO UNVEIL HUMAN WITH SOFTLIGHTS Human was shot in 60 countries over the course of three years. It is a a deeply humanistic documentary film. The expression of the face was of utter importance. The production was looking for a very…

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POWERPHONE for The Quake

How often have you been in to situations where you would like to use your iPhone as the only source of light ? The upcoming feature “The Quake needed a light fixture with size and look as the iPhone 6, battery included, but with twice as much light as the…

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Softlights LED RGBW strips on “Valerian and the City of a Thousand Planets”

Lire ou relire “Valérian et les mille LEDs”, un entretien avec Thierry Arbogast et Grégory Fromentin à l’adresse : http://www.afcinema.com/Valerian-et-les-mille-LEDs.html “Henrik Moseid (Softlights) nous a fourni une dizaine de variateurs haute fréquence complètement flicker free, associés à des rouleaux de bandes LEDs Softlights fonctionnant en RGBW. Raccordée à la console…

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