the gaffer Ernesto Giolitti used our FLAME on SENECA, photography by Benoit Debie, SBC
Seneca
The Ugly Stepsister
FLAME from Softlights was a helpful tool to Marcel Zyskind, DOP, on set of The Ugly Stepsister (2025) https://motorproductions.dk/the-ugly-stepsister/#group https://motorproductions.dk/the-ugly-stepsister/
Under Paris
At the director of photography Nicolas Massart’s request and for the film Under Paris, Softlights designed and created a 3-piece set that fits into the …
JCR speaking about Flame
JCR : As it’s a period film, the available light sources were candles, possibly outdoor torches, or kerosene lamps – but only once they arrive in …
the challenges of shooting with flame/s
behind the Flame
John Christian Rosenlund about IMITATING FLAMES for IMAGO
FLAME “The Emigrant light”
John Christian Rosenlund, norwegian cinematographer, talks about his experience with the new Softlights’s LED product « FLAME » :“Director Erik Poppe and I have planned to shoot …
Cinematographer Patrick Blossier; His first experience with Juliette 4×4 LED ULTRA
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A new way of lighting with extremely soft light; Juliette 4×4, 27-6300Kelvin Bi-Color prototype on K
Director of photography Patrick Blossier (AFC) just finished the feature K.O directed by Fabrice Gobert. These lights were supposed to work for one week, being …
HUMAN – UNVEIL HUMAN WITH SOFTLIGHTS
ACCLAIMED PHOTOGRAPHER, FILMMAKER AND GLOBAL STORYTELLER YANN ARTHUS-BERTRAND TO UNVEIL HUMAN WITH SOFTLIGHTS Human was shot in 60 countries over the course of three …