At the director of photography Nicolas Massart’s request and for the film Under Paris, Softlights designed and created a 3-piece set that fits into the divers mask a light source with 3 temperatures of kelvin (2700, 4000 et 6000K) which allows fine control of the light and managed by…
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LAVA film
Marcel Zyskind
JCR speaking about Flame
JCR : As it’s a period film, the available light sources were candles, possibly outdoor torches, or kerosene lamps – but only once they arrive in United States. Indeed, throughout the first part in flashback which takes place in Sweden, the protagonists do not at all have the means to have…
the challenges of shooting with flame/s
behind the Flame
John Christian Rosenlund about IMITATING FLAMES for IMAGO
Flame in practicals
FLAME “The Emigrant light”
John Christian Rosenlund, norwegian cinematographer, talks about his experience with the new Softlights’s LED product « FLAME » :“Director Erik Poppe and I have planned to shoot every scene in pure natural light. Our goal is to try and give the project a strong naturalistic and authentic look. The film takes place…
Cinematographer Patrick Blossier; His first experience with Juliette 4×4 LED ULTRA
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A new way of lighting with extremely soft light; Juliette 4×4, 27-6300Kelvin Bi-Color prototype on K
Director of photography Patrick Blossier (AFC) just finished the feature K.O directed by Fabrice Gobert. These lights were supposed to work for one week, being a part of the set. Patrick chose to keep them until the very end of the shooting. And they became the everyday fixture. We at…
HUMAN – UNVEIL HUMAN WITH SOFTLIGHTS
ACCLAIMED PHOTOGRAPHER, FILMMAKER AND GLOBAL STORYTELLER YANN ARTHUS-BERTRAND TO UNVEIL HUMAN WITH SOFTLIGHTS Human was shot in 60 countries over the course of three years. It is a a deeply humanistic documentary film. The expression of the face was of utter importance. The production was looking for a very…